The DN-e1 virtual analog synth is the best choice for vintage and modern synth sounds. If you prefer or have multiple screens, individual panes like the Mixing Console can easily be moved from the lower zone to be floated. This layout is best for a single monitor setup.
Magix, who acquired the application from Sony Creative Software has released version 8. Since Acid, the original loop-friendly DAW has been updated almost ten times, it’s safe to say that this software has been in need of some love for a while. Options such as the Vocal Strip are particularly impressive and simple to use. Essential FX offers a wide range of plug-ins. Magix subscribers get the Analog Modelling Suite which includes the AMmunition compressor/limiter. This package is impressive for its all-around capabilities.
However, Acid Pro 8 would be a very powerful virtual studio if it was the only music production software on your Windows PC. Each product has its strengths and weaknesses. Sonic Foundry and Sony, as well as Magix, have transformed a dedicated loop-based music production platform into a full-fledged DAW. Acid Pro 7 was a complete music production tool, but it still had a strong loop-based focus. Sonic Foundry and then Sony gradually expanded the core feature set by adding ever-better pitch- and tempo-manipulation algorithms to the program, great groove-based audio quantizing, and ReWire support. It combines an intuitive workflow with professional-level features to give musicians and artists an inspiring, loop-based environment in which to create, remix, record, and edit their songs.
MAGIX Entertainment ACID Pro8 Suite, an upgrade to ACID Pro7, is a creative DAW. Although some referred to its loop-based approach as “painting by numbers”, it had a profound impact. Acid introduced a new way of computer-based music-making. Magix Acid Pro 8 Suite UpgradeĪcid’s distinctive selling point was its ability to match the pitch and tempo of prerecorded audio loops in real-time - at a moment when major sequencers like Logic and Cubase only recently added audio recording as an option to their core MIDI feature set. AMphibia combines optical compressor modeling with pre-, post-EQ filters, and ‘characters’ options within its compression control set. For musicians who want to build a production system, the instrument collection is a great place to start. The software includes MIDI tools that allow for precise MIDI editing in the timeline, MIDI processing and freezing, keyframe automation, and flexible grid-style drum programming.Īlthough they may not have the same level of sampling detail and finesse as a dedicated library, they are good enough to make some serious music. They include pitch, length, transient data, and more.
You can edit, manipulate, and mix the 9GB of ACIDized loops. Magix is bringing some new life to the project.ĪCID Pro 8 Suite includes 26 instruments, including drums and synths, bass, pianos, basses, choruses, and many more. Although Acid Pro has been updated for almost 10 years, it still works great.
Magix wants to look like a movie editor, but this doesn’t work in this environment. I used to be capable of making every little detail on each track and envelope any color I desired.
Magix has indicated that this feature will soon be available in an update for existing users. I did not experience any technical problems using the plug-ins, or any third-party effects, so it’s clear that this is a good thing. Although it’s unclear what the former means, I believe it refers to more robust and/or efficiently handling plug-ins.
Magix claims that they have improved their plug-in support and added a large collection of effects. They are always available to provide personalized product advice whenever you need it. They have extensive musical backgrounds and have been trained extensively on the most recent products and technologies. Sweetwater’s sales engineers are among the most knowledgeable and experienced professionals in the music business.
Twenty of those years I also spent writing about music technology.
Over 30 years I have been playing the piano, in bands, and failing to complete tracks at home. MusicRadar’s Group Content Manager, I specialize in tech. Drum loops will not be included in the pitch-shifting process unless specified otherwise. As shown here, you can apply pitch-shift globally from the timeline, at the clip, and event levels. Acid Pro’s real-time pitch-shifting, tempo-matching, and clip-level pitch-shifting tools are unmatched. 32-bit support is available for those who need it. It will still run on a relatively small system. This isn’t a rival to Guitar Rig 5, Helix Native, or AmpliTube but it can be used to produce a wide range of tones. The new version looks even better than the old one, although I’m not impressed by the 24-bit/192kHz specifications. ACID makes it easy to implement all MIDI requirements.